Cover Anne-Sophie Pic (Photo: Kalel Koven)

During the launch of Cristal Room in Hong Kong, we took a moment with the celebrated French chef to discuss her return to the city after three decades and the inspiration behind her latest fine dining destination

Situated in the multi-concept venue Forty-Five, Cristal Room by Anne-Sophie Pic is the new jewel in Hong Kong's culinary crown. The fine dining restaurant emerges from a collaboration with crystal artisans of Baccarat and is designed by Parisian studio Gilles et Boissier, which makes for a rather refined and mesmerising setting.

The cuisine, an innovative approach to traditional French gastronomy, showcases Pic’s unique philosophy, where flavours and aromas intertwine through techniques like marination and infusion. 

In an enlightening conversation, Anne-Sophie Pic opens up about the inspirations shaping her menu, her reconnection with Hong Kong after thirty years, and the profound influence of her Asian experiences on her approach to French cuisine. Continue reading for an intimate look into the visionary mind behind Cristal Room’s extraordinary gastronomic adventure.

See also: Hong Kong’s newest restaurants and bars to visit right now

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Above Chinese peas from Yunnan, geranium rosat leaves and caviar
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Above Les Berlingots ASP, pasta filled with 24 months aged comté

In your own words, how would you describe the cuisine that you will be serving at Cristal Room?
It's an expression of French cuisine—my DNA is French after all—but it's also a combination of what I like in Asia because I'm very fond of Asian ingredients. I travelled to Asia at a young age, 21 or 22, and I was very inspired when I was here. I decided to enter the culinary world thereafter so I kept in mind those memories. At the restaurant, it’s more than cuisine as we are very focused on the experience that we want to give to our guests. 

How do you plan to interpret Asian ingredients for a French fine dining experience?
For me, the first step of a dish is the aromatic spirit. Aroma perfumes the dish but it’s also about flavour. When I create a dish I think about the overall flavour of the dish and then I try to find the ingredients that I can combine to create this flavour. It is not simply a French dish with Asian ingredients put in. 

For example, in one of the dishes at Cristal Room, we use Chinese peas from Yunnan. My chef, Marc [Mantovanihe], brought them back [to France] with him and with that, we developed the new dish in Valence. But now that we are here in Hong Kong, we will continue to develop it even further. 

Having already established La Dame de Pic in Singapore, what lessons from that experience are you bringing to your new venture in Hong Kong?
Every opening is a new experience. With Singapore, it was quite difficult because we opened just a few months before the pandemic. I was not able to visit so it was difficult for me, but I have a very good team there and I’m very proud of them. In Hong Kong, it will be completely different. We are working with Baccarat and Leading Nation, which is a very good partnership and they have supported us so much. 

When I was a student, I visited Singapore first and then Hong Kong and I felt like the energy in Hong Kong was different from Singapore. It was more powerful. I felt Hong Kong was like the New York City in Asia. I was very impressed by this city and it's like a dream to open here.

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Above The main dining room at the restaurant
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Above The open kitchen at the Cristal Room

You've had a remarkable journey in the culinary world. What motivates and inspires you to keep going?
It’s the challenges that keep me working and growing. You will face obstacles along the way, but you will overcome them and find your own way. The same goes for the whole team. We are very structured and we thought a lot about the opening in advance but we will keep growing. 

As for inspiration, when you are not in your home [country] and travelling, your senses are heightened and you are more ready to take in new things and experiences. I am thinking about new dishes most of the time, so I like to meet local producers and I’m very passionate about fermentation. I have a person who is dedicated to fermentation but we discuss it together. There’s kombucha, kefir and miso, which are linked to cuisine, drinks and pastry, so we experiment a lot around fermentation and try new things including chestnut miso. 

Fine dining has evolved over the years, what are your feelings about that? 
For me, it’s always about the experience. The markers of the fine dining experience, like bringing out a welcome drink or the standard of service, are still the same, but the way you do it is different. You can bring the kitchen closer to the guests, for example. This is the case for Cristal Room, and there's always something happening wherever you look. There’s a beautiful view but guests can also see the kitchen, bar and pastry corner.

In the past, bistro food and fine dining were two separate worlds. Today, they can work together quite well and they contribute to sharing the culture of the country and complement each other. 

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Above Anne-Sophie Pic in the kitchen
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Above The table setting at the Cristal Room

What can diners expect from their first visit to Cristal Room, and what do you hope they take away from the experience?
The restaurant is like a jewel box. It is a dream to work with Baccarat and Gilles & Boissier because we have known each other for a long time and they do beautiful work. We are very happy with the restaurant, it cannot be better.

I hope guests will take away the magic of the flavours. I like to work with bitterness, it’s hard to explain but bitterness enhances flavour. Acidity [as a flavour enhancer] is easier but bitterness is very interesting to shape in a dish. With every spoonful, the flavours are going to be different. This is what I want guests to feel when they eat at the restaurant.

Outside of the kitchen, what hobbies or activities do you enjoy that might surprise those who know you best as a chef?
You know, all my extracurricular activities are linked with cuisine because it's my life. But I do like to work with perfumers. One of my good friends is [renowned French perfumer] Francis Kurkdjian and it's important to me to connect with artists from other fields. It gives me a lot of inspiration. Another friend of mine, Christine Vernay [of Domaine Georges Vernay in Condrieu - Côte-Rôtie, Vallée du Rhône, France], is a wonderful winemaker. She has a similar history as me: she was not supposed to take over the vineyards because she had two older brothers but in the end, she was the one to take over. So we share a lot together and the way she's making the wines is very special.

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Above Blue lobster from Brittany cooked over embers
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Above Chestnut Baba soaked in Talisker whisky

Female empowerment is more than just breaking glass ceilings; it's about inspiring the next generation. How do you hope your legacy will pave the way for future female chefs?
A big focus for me is to share everything I know and everything I do with the next generation of women. So that then they can do the same later. It’s about opening up opportunities for women to express themselves in this industry. I have many talented women on my team, but they are also of different origins, they come from different countries. It’s not only French [people]. It makes for a more dynamic team with more energy between all of these origins and countries.

What advice or message would you share with young/aspiring chefs as they embark on their own culinary journeys?
Humility; sincerity; self-confidence, which is not in contradiction with humility; and patience.

You have to find the right balance between being humble and confident. You should start as a humble person and then as you build your career and get the recognition, you can build your self-confidence. But humility is where it starts. When I received three Michelin stars, it was not the end—nor was it the ultimate goal—it was the beginning of a new path in my career because I felt confident enough to do it.

In this career, the hardest thing is to last. It's easy to be a shining star, or the chef of the year, or to have all the awards in one year, but after a while, people will forget you. The real difficulty is to last and if you don’t have humility, you’re not going to last.

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Above The Baccarat chandelier at Cristal Room By Anne-Sophie Pic

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